Intersections

The collection was originally designed for a natural stone retailer company. Its starting point is the contradictory nature of stone: quarrying leaves scars on the landscape and intervenes irreversibly in the environment, while the material itself is exceptionally durable, natural, and carries a profound sense of time.During the design process, stone therefore appeared as a material of exceptional value - something that should only be approached if the object is able to hold its weight and dignity, physically, visually, and conceptually. Within the surfaces of stone, geological processes - pressure, erosion, sedimentation - are condensed; its veins, cloud-like patterns, and patinated markings evoke a timescale beyond human measure, often resembling the visual intensity of an abstract expressionist painting.

The collection attempts to bring this inner pictorial quality and material weight into an object-based context. Natural stone appears here as the central, unavoidable element of the objects. Geometric intersections, together with the connections between wood, metal, and glass, sometimes function like jewellery-like settings, reinterpreting the gestures of highlighting, holding, and protecting at the scale of furniture.

Intersections explores how a material taken from the landscape can be transformed into an object in a way that preserves its beauty, weight, and sense of time, rather than reducing it to a merely decorative backdrop.